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Sunday, September 28, 2014

The Big Picture

The Big Picture


Abbey Road Turns 45

Posted: 27 Sep 2014 03:00 PM PDT

Billboard has published a track by track review of all of the songs on Abbey Road. They set the table as to what was going after the frenzy of the prior decade led to the band imploding:

“On Sept. 26, 1969, 45 years ago today, the BeatlesAbbey Road entered the world and closed the recording career of rock’s most celebrated band.

The existence of Abbey Road is practically a miracle — when the Beatles emerged from the Let It Be sessions, the group was fraught with tensions and on the verge of breaking up.

They were arguing not only over music — their unhappiness with the mixing of Let It Be held up its release until eight months after Abbey Road came out — but business as well. Their Apple Records label was proving to be a professional time suck, and the group was bitterly torn over who to hire as their new business manager.

But by most accounts, the recording of Abbey Road was relatively painless and drama-free — perhaps because the Fab Four knew it would be their last album together. “Nobody then was sure it was going to be the last one, but it felt like it was,” producer George Martin recalled in The Beatles Anthology. George Harrison agreed: “Once we finished Abbey Road, the game was up, and I think we all accepted that.”

Despite originally mixed reviews, Abbey Road is a masterpiece: Brilliant innovation, spectacular song writing, and a creative studio production result in a transcendent collection of music. Side 2′s medley has become legendary.

You should check out Billboard‘s entire song by song review, but here is an excerpt from the medley section:

“You Never Give Me Your Money”

The first song in the greatest medley in rock history is practically a medley in itself. Opening with several pensive piano verses, the song kicks into Chuck Berry mode with the “out of college, money spent” segment before the “oh, that magic feeling” bridge. A more contemporary guitar riff heralds the “one sweet dream” segment, which is given a fascinating melodic counterpart by the “all good children go to heaven” nursery rhyme. “You Never Give Me Your Money” is a microcosm of the complementary counter melodies and sudden stylistic shifts that will characterize the rest of the album.

Lyrically, “You never give me your money” is often seen as a commentary on the intergroup tensions over choosing a business manager. Similarly, McCartney later said the “pack up the bags, get in the limousine” line was a reference to trips he and Linda McCartney would take to the countryside to escape Beatles-related tensions.

“Sun King”

“Sun King” is a breather of sorts before the medley kicks off in earnest. While fans opine the Sun King might be a reference to France’s Louis XIV, it’s possible the song is just nonsense — Lennon says the group randomly tossed around words in Romance languages for the song’s lyrics, with no thought given to deeper meaning. Musically, the song is as oneiric as Lennon’s laconic delivery, with the reverb-laden guitar moving between left and right stereo channels. This makes the entrance of Ringo’s drum fill at the start of “Mean Mr. Mustard” all the more arresting and startling.

“Mean Mr. Mustard”

With Lennon taking lead vocals and McCartney singing backup, the Beatles introduce the character of a cheap old miser who keeps a “ten-bob note up his nose,” inspired by a newspaper article Lennon read about an old man who hid money around his house. “Mean Mr. Mustard” kicks off a three-song story arc starring a bizarre cast of characters.

While many of the Side 2 medley tracks were half-finished songs the Beatles stitched together, “Mean Mr. Mustard” was written as a standalone song running four minutes. For the medley, it was shortened to 1:06 and the name “Shirley” was changed to “Pam” to provide continuity for the next rack.

“Polythene Pam”

With Lennon singing in an exaggerated Liverpool accent, the band tears through another minute-long rocker. “Polythene Pam” was inspired by two real-life people: “Polythene Pat,” a girl who ate plastic that the Beatles knew from their Cavern Club days in Germany, and a woman who wore polythene clothes that Lennon met through British beat poet Royston Ellis.

“She Came In Through the Bathroom Window”

The end of “Polythene Pam” bleeds into the this track, which is characterized by angular, clean guitar lines, a thumping bass, snappy percussion and cooing background vocals. Here we meet another character inspired by real events. In this case, “she” refers to multiple Beatles fanatics who broke into McCartney’s house (via a ladder to the window) and stole some of his pictures and pants.

 

 

“Golden Slumbers”

After the one-two-three-punch of “Mustard”/”Pam”/”Window,” “Golden Slumbers” takes a break from rock for a contemplative piano-and-strings ballad. This song also drops the narrative arc pretense. Instead, McCartney seems to be self-consciously addressing the end of the Beatles — “Once there was a way to get back home” is the lyric of someone who knows they’re bidding goodbye to something special that they can never return to.

Additionally, the lyrics are based on the 1603 poem “Cradle Song” from Thomas Dekker, which begins with the following stanza: “Golden slumbers kiss your eyes / Smiles awake you when you rise / Sleep, pretty wantons, do not cry / And I will sing a lullaby.”

“Carry That Weight”

Recorded in one piece with “Golden Slumbers,” “Carry That Weight” features a reprise of “You Never Give Me Your Money” and a booming chorus with Ringo’s voice at the forefront. As with “Golden Slumbers,” McCartney seems to be speaking to the end of the Beatles and acknowledging the burdens of fame and business that will plague them for “a long time.”

 

Hat tip Patrick!

 

 

What I learned after 30,000 posts . . .

Posted: 27 Sep 2014 07:30 AM PDT

After 30,000 posts, Big Picture blogger has figured a few things out
Barry Ritholtz
Washington Post, September 19, 2014

 

 

Sometime last week, I published my 30,000th blog post. This was no small accomplishment — I started the Big Picture blog back in 2003.

30000Since then, I have published a stream of charts, investing articles, links, videos and financial analysis, about five to 10 times a day, every day. It has become part of my routine, a healthy outlet for an OCD-inflicted media junkie.

After more than a decade of getting up before the crack of dawn to write a daily journal about all things financial, here is what I've learned:

Writing is a good way to figure out what you think. To quote Daniel Boorstin, the former librarian of Congress, "I write to discover what I think . . . After all, the bars aren't open that early."

The act of putting pen to paper, or in my case, spilling pixels on a screen, requires thought. Thinking about context and working out how different elements interact in a complex system like the markets is a contemplative process.

Often, I have no idea what I thought about a subject until I begin to write about. Once you research an idea, you begin to develop a perspective. Writing about anything in public, often in real time, has helped fashion my views.

(Note: It also helps if you have something of interest to say).

Writing is a good way to become a better writer (so is reading). When I started the blog, one goal was to become a better writer. After more than a dozen years spending an hour a day writing — and another hour a day reading outstanding writing from others — your skills begin to improve. It is an old joke that it only takes a decade or so to become an overnight sensation.

You discover the advantages of economy. Anyone can make an article longer, the skill is keeping it tight and lean. Understanding where another set of eyes is advantageous, how to lean on someone else's judgment — and when to pushback when they are destroying your precious prose — is also a worthwhile skill set.

I also became a much faster writer. It takes me about a third as long to write something today as it used to. That leaves time for rewrites, and as any editor will tell you, the difference between good and great takes place in the rewrites.

Mainstream media ignored blogs, occasionally stole from, then adopted the format wholesale.

Today, the blog format — short, pithy posts focused on a single subject, published irregularly — has been widely adopted by the mainstream media. The New York Times, Wall Street Journal, Financial Times and The Washington Post all make extensive use of blogs — many of which are excellent.

But it was not always that way. In the early days, mainstream journalists were comfortable "borrowing" freely from blogs without attribution — not so much as a quote or a link to the original piece.

An effective response was needed to embarrass journalists to end their plagiarism: Read-it-here-first was just the trick. Publish both pieces, the original dated blog, and the pilfered piece. If that didn't work, a stern e-mail to the editor and publisher usually worked. For the most part, that stopped the plagiarism — but for a while it was a problem.

Online publishing is (for the most part) a meritocracy. A number of bloggers in economics and the financial sector have risen to prominence through the sheer strength of their work. Note it was not their family connections nor ties to Ivy League schools or elite banks, but rather, the strength of their research, analysis and writing. That is the very definition of a meritocracy.

That anyone with a computer, writing chops and an Internet connection could achieve fame and fortune — or more realistically, a degree of wonky recognition from a narrow group of finance geeks — is pretty amazing.

Content: creativity, criticism and curation. Content is king. When you are asking people to read you several times a day, you better have some fine content.

Mixing original content, intelligent criticism and curation (a.k.a. reading linkfests) has been a successful formula for me.

I would describe it more like this: "First, here is something I CREATED which I think is worthwhile; second, THAT OVER THERE is wrong and not especially compelling and here's why; and third, you should see ALL OF THESE. They are excellent."

I am oversimplifying, but that's the basic three-part content structure of a good blog. When done well, creativity, criticism and curation each gives the reader a reason to pay attention. Original research and analysis that teaches about a subject or identifies something new or unknown is always welcome. Criticism of errors, myths and simple falsehoods helps the reader learn about the arguments of the day, and which claims should be looked at askance. When done right, it can help investors to avoid losing money. Curation is the application of intelligence and judgment to the immense universe of content, using an insider's keen eye to select only the most interesting and worthwhile items to read.

Reader comments have become useless. Trolls, paid hacks and loosely organized interest groups have turned them into a vast wasteland. My own comment policy has evolved into a 3,000-word screed against the destructive work of the Internet's trolls.

This is a shame. At one time, commenters had tremendous value within given communities. I wrote most of "Bailout Nation" online, 500 words at a time. The feedback and suggestions from readers were invaluable. Having a research staff of thousands was inordinately helpful. The resulting book was all the better for it. It is difficult to see that occurring again. And that's a shame.

Advertising is a terrible business model (unless you are Google). Online advertising is growing, but it has also become a race to the bottom. Web sites have proliferated, advertising payments have gotten much cheaper, and the ability for any site to generate enough for someone to make a living on advertising alone is minimal. It's only the top few percent of blogs that actually throw off enough income to give anyone motivation to do this for financial reasons.

Yes, there are many non-monetary reasons why I blog, but if you are in this for the money, you are wasting your time.

Authors vs. publishers. People read publications less than they do authors. I discovered this little fact as I followed several of my favorite writers — such as Jesse Eisinger and Dan Gross — as they bounced from various publications such as TheStreet.com, Daily Beast and Yahoo to Newsweek and New York Times. Where they published did not matter; the only thing that was significant was what they had to say.

There is a caveat to this: Any powerful platform will potentially expose a writer to a wider audience. That has been my experience here at The Washington Post as well as on Bloomberg View.

People lie to themselves. When confronted with facts that directly disagree with their beliefs, most people prefer to disregard the facts. Psychologists even have a name for this sort of perception error: cognitive dissonance.

For a data guy like me, this is both utterly fascinating and somewhat disturbing. I have repeatedly admonished readers about letting things like politics and narrative divert them from reality-based, data-driven investing.

Whenever I encounter someone who refuses to accept reality, all I can do is shrug and remind myself that someone has to be on the losing side of the trade. It might as well be him.

It can be difficult for readers to distinguish between good information and distracting nonsense. Despite a tremendous amount of information online, readers are still mired in lots of bad thinking and disproven memes.

 

~~~
Ritholtz is chief investment officer of Ritholtz Wealth Management. He is the author of "Bailout Nation" and runs a finance blog, the Big Picture. Twitter: @Ritholtz.

MiB: Byron Wien

Posted: 27 Sep 2014 06:30 AM PDT

This week's Masters in Business Radio show starts at 10:00 am and 6:00 pm on Bloomberg Radio 1130AM and Siriux XM 119 (and repeats all weekend).

Our guest this week is Byron Wien, Vice Chairman of Blackstone Investment Partners and former Chief Investment Strategist at Morgan Stanley.

It is a fascinating discussion with an old pro who has seen the markets and industry change over 50 years.

You can listen to live here or stream it at Soundcloud or download the 64 minute podcast here or play MP3 below.

All of the past Podcasts are here (and coming soon to Apple iTunes).

 
Click to play

This posting includes an audio/video/photo media file: Download Now

10 Weekend Reads

Posted: 27 Sep 2014 04:00 AM PDT

Pour yourself a tall cup of black coffee, settle into your favorite easy chair, and enjoy our unique longer form Weekend reads:

• Inside the New York Fed: Secret Recordings and a Culture Clash (ProPublica) see also Michael Lewis: The Secret Goldman Sachs Tapes (Bloomberg View)
• Derek Jeter Opens the Door. (NY Mag)
• Not So Foolish: We are told that we are an irrational tangle of biases, to be nudge any which way.  Does this claim stand to reason? (Aeon)
• Supply and Demand: Untangling the Market’s Greatest Mystery (Philosophical Economics)
• Too Big to (Not) Fail: Illiquidity, lack of agility, and ‘being’ the market: Have some funds grown dangerously large? (CIO)
• The Science Behind Why You Listen to Your Favorite Songs Obsessively (Mic)
• What if Hitler had won the war? What is Jesus hadn’t been crucified? Who cares? (New Republic)
• Manischewitz: The Great Story of a Not-So-Great Wine (Modern Farmer)
• The Story Behind Bill Murray And Harold Ramis' 21 Year Rift (Uproxx Movies)
• The Mysterious Case of the 113-Year-Old Light Bulb (Priceonomics)

Whats up for the weekend?

 

Russell 2000 Resistance and Support

Source: Chart of the Day

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